Tag Archives: Wordsmith Wednesday

CHK-6645

The poem for today’s Wordsmith Wednesday came out of a real experience, but with embellishment, of course, to certain things, as such as is with poetry.

CHK-6645

“Who’ll stop the rain?”
– CCR

She couldn’t bring herself to climb into the Chinook
at the air show, she said, because it reminded her
of her father serving in Vietnam. But I did,

on her behalf, and as I walked up the ramp,
heard the boots shuffling across the tarmac:
the other men as they climbed in behind him.

There were no individual seats, just two benches
running down both sides, and bubble-shaped
windows which looked out on the jungle,

straps to hold you in. About every five feet,
a medical kit was inset in the wall, a red cross
painted on it to remind you this was not a drill.

She said he only talked about his experience once,
and that even then it wasn’t much. It was a tale
he told around the campfire to her and her sister

when they were children. Like a ghost story,
the Viet Cong were the bogeymen in the bush,
but smaller, wielding machine guns, machetes.

He never spoke of losing any friends there,
of the woman in Saigon, the photograph
her mother found in a box of medals

he’d won for assorted acts of bravery,
or why he won them. He was also silent
when he and his daughter walked down the path

to the Vietnam Memorial Wall in Washington,
as if he was remembering walking up a ramp,
the names of those who went with him.

Poem: When You Are God

For this week’s Wordsmith Wednesday, a poem I wrote back in college:

When You Are God

those stars there can be a box you look inside
until this side suddenly becomes the top,
you can close

since you know
you can pull the Milky Way out of it later,
stretch it between Orion and Cirius, Betelgeuse

and Alpha Centauri like a cat’s cradle,
lie down in its hammock any time you feel like it.

A poem in memory of Phil Hartman

For today’s Wordsmith Wednesday, I offer a poem I wrote shortly after Phil Hartman was murdered in 1998.

On the Death of Phil Hartman

A comedian dies, and suddenly
the world explodes into
a nuclear array of light. It’s not funny
how he died, bang with a bullet.

Or how crowds cheer
the demise of another country, not realizing
their own is near. What is funny is
how he brought characters to the screen,

but never his own,
how a mushroom cloud is like a lotus
flower opening its petals,
how the clock can be pushed forward

by actions in New Delhi, Islamabad.
“I think laughter is an underrated emotion,”
he once told Jane Pauley on Dateline.
It’s what the world needs now,

what could have been written
as an epitaph on his gravestone
if he had not chosen
to be cremated instead.

His wish to be consumed by fire
no longer seems bizarre;
perhaps it was just foretelling what was
and is, and is to come.

Waking a stranger

Waking A Stranger

Touching something like that is like waking a stranger

says the archaeologist this morning on the radio

when asked what it’s like excavating

Native American remains in a nearby county.

Driving to work, I think I know what she means:

it’s like catching the fleeting glance in the rearview

of the person behind you that you don’t know,

but that you think you do for a moment.

Or like when a painter is applying the brush

to the canvas and something begins to take shape,

but he doesn’t know what yet. Or like the circles

a pen makes when a writer is doodling, a knot

of lines overlapping lines that form

a hurricane whose eye he cannot see out of.